Manipuri dancers

The performance of this dance is technically very different from other Indian dances, and its movements are more lyrical and noisy. The dancer has smooth and continuous movements, the parts of his face are fixed and have no descriptive or symbolic state, and the dancer dances only with a smile on his face. The Manipuri dancer does not use bell-bands, and unlike other dances such as katak, in which the dancer’s footsteps are directly involved in performing the rhythms played, here the dancer – especially the dancing women – does not perform any auxiliary movements. کردن. As mentioned in the first article in this series, each of the classical dances is attributed to one of the pillars of existence and due to the elegance, calmness, beauty and slipperiness of Manipuri dance, it is associated with the element of water. they know.

Manipuri women dancers move smoothly and at the height of their subtlety, leaving the male dancers with movements that require vivacity or a bit of masculinity. Manipuri’s theatrical aspect is very important, and “the different parts have different names: the parts where only the male dancer or dancers are present on the stage are Tandava, and the parts that are only female or male and female are present. It is performed at the same time is called Lasya ”(Reginald: 124).

Manipuri music is based on Indian music, and is usually performed by dancers with a two-way dahl player called a pong, finger or larger cymbals, pena, string, and Manipuri meridians. Mridang) runs. In some scenes, the pong player, wearing only a pair of trousers, hangs his instrument around his neck and moves with the dancer. The important point in combining dance and rhythm is that the musician performs certain manipulative rhythms at a much faster rate than the dancer. This contradiction, which is very important semiotically, represents many themes. Some dancers consider this contradiction in speed to reflect the feminine and masculine nature of life, a sign of feminine beauty and masculine impatience. The dancers of the various parts of Manipuri dance are mostly women, and this, in contrast to male musicians and dancers, recreates another symbolic aspect of the quiet presence of women and dance, and the energetic presence of men in life.